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Updated 5/12/2010 Food, Inc
Submitted by courtnee in public - 07.15.09 - 3:18 pm

The Aquamarine show, July 18

Who: I will be playing an aerial siren as part of a beautiful love story
What: The aquamarine show at LRS
When: July 18, 9pm and Aug 15, 9pm
Where: Little Red Studio, 400 Dexter Ave N

Tickets can be purchased at Brown Paper Tickets or reserved

by calling (206) 328-4758

Join us as Little Red Studio explores the exotic underwater experience of The Aquamarine Show! This summer we will transform our sumptuous theater into a wet, sensual oasis, complete with mermaids, nymphs, sailors and pirates. Come dive into one of the most alluring elements on earth, Water. Lets splash around together in this world of sensory profusion, relaxation, healing, and spiritual reconnection.

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Submitted by courtnee in public - 05.28.09 - 10:28 am

Burien Strawberry Festival, June 21st

Who: The Cabiri will be setting up Daedalus, our freestanding aerial dance rig, for all-day performances!
What: Burien Strawberry Festival
When: June 21 11am-6pm
Where: 4th Ave SW & SW 146th St, Burien

Free!

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Submitted by courtnee in public - 05.28.09 - 10:14 am

Burning Beast, July 12 (Arlington)

3478_large.jpg Who: Myself, Dyno and Tamara are performing aerial

What: A an outdoor, fire-cooked feast of medieval proportions! Food comes off the fires around 6pm. Make a day of it – come early and stay late. Smoke Farm has 360 acres to wander and a river to dip in.

When: July 12, from 2 to midnightish!

Where: Smoke Farm: 12731 Smokes Road Arlington, WA 98223

Website: http://www.smokefarm.org

Burning Beast returns to Smoke Farm for its second, sure to be celebrated, culinary firestorm. The Stranger Slog called it “the worlds funnest and most delicious feast in a field cooked by Seattle’s best chefs.” Eleven star-studded cooking teams gather to prepare and master an assigned animal, vegetable and/or sea creature, whole or in parts, using fire, earth, steel and little else. The jaw-dropping list of participating chefs includes; Dylan Giordan (Serafina), Angie Roberts (Boka), Matt Dillon (Sitka and Spruce & The Corson Building), Garret Abel (DeLaurenti’s), Dustin Ronspies (Art of the Table), Gabriel Claycamp (The Swinery), Ron Jones (Jones Glassworks), Tyson Danilson (Le Pichet), Jonathan Sundstrom (Lark), Zephyr Paquette (Elliott Bay Cafe), Jennifer Alphonsine (Circa Alehouse), Seth Caswell (emmer & rye) – and more!

Entertainment included! Featuring aerial thrills provided by the amazing Zita, the incredible Dyno and Tamara the Trapeze Lady! Plus, music by ‘The Hallways’.

Atmosphere – outdoor casual. We encourage guests to THINK GREEN carpool, and bring along reusable plates, cups and cutlery (if you can). Plus – it’s a lovely place! Bring picnic blankets, swimsuits, comfy footwear, and healthy appetites. burningbeast@smokefarm.org for questions/info. See you there!

Tickets are $75, from http://www.brownpapertickets.com/event/68737

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Submitted by courtnee in public - 05.03.09 - 12:15 am

Daedalus Rising, photos

Daedalus Rising was super fun. The weather was perfect for us, our audience was gracious and totally into it, and Daedalus is one sexy bitch!

I ate fire, got spun on the rope, beat the crap out of the artistic director and got to crawl through the crowd hissing at people like an animal. What more could I ask for, dare I say? Actually, I suppose apathetic sound guy could have picked up a clue or two along the way, if I had a say in things…

Our blocking for the exceptionally complex piece I was in went straight through the window with no lyrics for us to que from due to tech difficulty. I felt awful for The Red King, who traveled all the way from Portland to perform his music and had no mic. Thankfully he has an extensive visual element to his performances! We were off kilter, but pulled it out like crazy and our audience of 2000 people, a new personal record (SEAF last year was 1500), was totally stoked.

I was unable to see most of the other pieces. What I was able to see of the performances were well done – I’m impressed with the ability of the performers and crew to maneuver an uncontrollable outdoor environment and the various unexpected difficulties that provides.

Plus a video from http://www.capitolhillseattle.com/2009/05/02/cal-anderson-aerial-show-pictures-movies !!!

Fun stuff. :) I have a great time performing in that piece.


Free to the public!

Who: The Cabiri
What: Aerial dance
When: May 1 2009.
Where: Cal Anderson Park
NOTICE: racy, lengthly, or outdated content ahead »

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Submitted by courtnee in public - 04.11.09 - 2:11 pm

Seattle Fashion Week is less than a week away!

I just got back from SFW rehearsal up on queen anne hill (which I biked up, rawr!). I’m getting excited! It’s going to be a hell of an affair. Tickets are just $15 at http://www.seattlefashionweek.net/ticket It’s a real steal, from what I have been seeing in rehearsals and how huge the event is.

I got some great feedback on my walk, which I was pleased to have considering I’ve walked on the runway maybe twice I think, and the last time was the Crave party (for the same people putting this on, picture below) like 4 years ago or something.
NOTICE: racy, lengthly, or outdated content ahead »

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Submitted by courtnee in public - 11.02.08 - 9:52 am

The Ghost Game wrap up

We wrapped The Ghost Game at Youngstown in West Seattle last night, striking the show as time crept into my birthday. It was a very fun show to work on and to witness, I started really getting into it on the third and last performance.

As I was leaving, word spread that I am a year older this day, and the cast sang me happy birthday. John caught the tail end of it on video – while putting scaffolding together!

I’ve improved greatly in acceptance :)

I came home, replied to some email and hit the sac. Now for a day of work and more set up/tear down for my Murder Mystery Birthday party tonight. Long, fun weekend!

zzz..

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Submitted by courtnee in public - 09.28.08 - 2:45 am

Zita the Aerialist: Guest solo artist for “The Ghost Game” Halloween night

It really just wouldn’t be Halloween without Zita, would it?

The Ghost Game: Tales of 13 Witches
October 31, 2008 8:00 PM and November 01, 2008 8:00 PM

Youngstown Cultural Arts Center
4408 Delridge Wy SW
Seattle, WA 98106

https://www.brownpapertickets.com/event/40931%2

The Cabiri are now in rehearsal for their Halloween presentation of The Ghost Game: Tales of 13 Witches. I’m working up some serious badassery for this one, and from what I’ve seen it promises to be an awesome event, and one of the very few performances I’ve done for an under-21 audience.

Performances are currently scheduled for October 31 and Nov 1, and there’s buzz about a possible matinĂ©e showing. Check out http://cabiri.org!

Read more about this intimate, interactive evening of dessert, cabaret, aerial dance, and more and purchase tickets at:

https://www.brownpapertickets.com/event/40931%22

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Submitted by courtnee in public - 08.17.08 - 11:06 am

Nailed

So many years ago it pains me to say, because it means just that much life has passed my way already, I was a guitar player. I came into the world of original music through synth, and my first instrument was piano taught by my mother as a child, but I started out expressing my personality on guitar.

It was a frustrating time. I could pick up other peoples songs in minutes, but my original works always found me with a scowl on my face and a knot in my gut and were quickly thrown away. I hated how shrill and girly I sounded, how sad and painfully child like my voice was. I wanted to be a rock star, with driving Marshall stacks behind me, screaming to the world the rage that I held in my guts day, after day, after day. But my voice was “angelic”, and well, I hated it.

I stuck mainly with covers in guitar work, though there was a guitar song on Altercations. My method of covering on synth is to deconstruct, essentially distill what I internalized from the music I honor in others, and for that part I really enjoyed covering songs on guitar. But the lack of originals caused excessive feelings of failure and hackery. I didn’t feel I was remotely a ‘musician’ until I started producing original work. And well, even then… even now, I have my doubts that I really consider myself that.

Then came the performances of that work. It pained me to be present when someone listened to my music. Though I pushed myself otherwise on rare occasion, I hid behind the protection of the Internet so I never had to see any ones reactions in the flesh to it. I knew it was haunting and striking and that it had a tendency to peel down into the center of peoples melancholy. I liked that, I like invoking depth in people in most everything I express in my life. But I couldn’t handle the praise, and I felt embarrassed to the point of physical discomfort when I heard my own voice. Slowly, starting with that first show for my friends and coworkers in my living room 6 years ago, I have worked toward overcoming my stage fright, my self deprecation, and learning to be comfortable with my unique powers as an artist and musician.

It has been an extremely painful, fulfilling, almost mystic practice in my life.

I’ve since learned why it was, that I struggled so much with owning my music to other people. It always conflicted me, to know that my music was good, that I had something special, but to assume that it had to be bad because sharing it caused me feel so awful. It was the child in me crying out. Unsupported, alone, afraid, unsure. She needed me, cried out for me, and I wasn’t really there. Listening to my own music was like being in a locked cell, listening to the frantic and desperate cries of the greatest love in your life as they’re tortured down the hall. I had abandoned her, just like long ago, when I had needed someone who wasn’t there for me. And when I showed myself like that to people, it was shame and regret I felt. I didn’t understand how to help her. I was hoping they could.

I understand now. And it shows.

Last night, I covered three of the most influential guitar songs of my youth with the grace, poise, and dignity. I faced my audience with appreciation, warmth, and a genuine truth and strength that I have never shown any audience, ever. I gazed around the room at people while I sang and strummed and bore my very soul, cradling her and holding her aloft proudly. She was no longer cold, shivering, hidden, alone, being displayed like a fearful caged animal, with my eyes squinted shut to drown out the magnitude of her cries. God, I wish I had pictures.

Symbolically to this, and not by accident, I was not alone, either. I had a special guest, a new and dear friend, an amazing guitarist and vocalist, Andrew Cardillo, with me – cradling me, holding me aloft proudly, supporting my vision for these songs and trusting me as an artist to do him proud in our first collaboration together. I’ve so often sought that, so often wanted a connection with another musician that I could hold, someone geographically close enough to perform with, someone trustworthy.

For now, I seem to have found that person, that spark to ignite this deep well of potential I’ve flirted with for years in my online collaborations. Someone with similar sensibility to explore new frontiers with, to exercise my musical limits with, to add dimension to what I’ve already been doing, to have fun with, to support in his endeavors as well.

Thank you so much. To my friends who have supported my music, to my fans who have brought me so much warmth and jaw-slacking praises over the years, even when I had no idea what to do with them but argue. To my audience who never fails to share with me the deep stirring movement I invoke in them when I perform. To my supporters at Little Red Studio for believing in my abilities, their unyielding support and guidance, to the wonderful artists of all vocations and styles who have welcomed me into their worlds over the years, to the people behind the scenes that make it all happen.

Thank you to the universe for its infinite possibility and clever, cunning manner in teaching and keeping me on my feet. To teh int0rnetz, to mp3.com, to all the other musicians out there who inspire and continue to inspire people like me to have tried my hand at being as brave as they are. To my Dad for buying me my first guitar, to my ex husband and lifetime confidant for his everpresent support. To Scott, Stu, and Dan, for their particularly focused efforts in helping me lay the groundwork all those years ago. To my Mother. I know you did your best.

To my lovers, and to my enemies, and especially my lovers turned enemies, for giving me so, so much to write about. To Jamie, my brooklyn born drummer and incredible friend. To Chrissy and her unending pool of tranquil, loving support, and her beautiful voice, for finally pouring past my barriers and giving me a cause to open my music to others. To Andrew, my Scorpio kindred with so much left to show me. To Kimba, for letting me straight into his beautiful heart. To Jeff – You are so very dear to me.

And to Clayton. Nothing I could say here would be sufficient. You know how I feel about you.

Thank you for all of it. And so much more. I hadn’t meant to make this a long stream of thank you’s – but, there you go. I know I’m missing people.

I accomplished a dream last night, one that had always felt just out of reach. I hold this in my hands now, in awe, and I’m moved to a silent flush of tears. It’s one of the the most beautiful things I’ve ever felt. Thank you for sharing it with me. I’m brimming. Magnetic. Glowing. Thank you Thank you Thank you. And thank fucking god for yoga! I am so pleased to have discovered it again.

There is so much more to say, but I will leave this now.

Take care of each other,
-nee

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