• I have a horrible sick feeling in my stomach that I haven’t felt in a couple years. I don’t like it.

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Movies you should stream

Updated 5/12/2010 Food, Inc

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Submitted by courtnee in status updates - 07.19.10 - 5:53 pm

The details are filling in, I’m days away from a script outline, and I feel the ball of vibrating energy rise in my chest every time I listen to the music. I want this show to plow right through anyone who’s fortunate enough to see it. That’s my goal; And I tend to get what I want.

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Submitted by courtnee in status updates - 07.04.10 - 1:54 pm

I think I just gave myself whiplash by jerking my head around to the music I’m planning to use in my next show. Hrm. Good sign?

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Submitted by courtnee in status updates - 06.09.10 - 11:55 am

Excited for the show tonight! Tons of hot acts plus 3 video angles and a still photographer. My stomach is full of butterflies. Fucking each other. Whee!

Submitted by courtnee in status updates - 06.09.10 - 11:32 am

If I was young, I’d flee this town. I’d bury my dreams underground. Let the season begin.

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Submitted by courtnee in public - 05.12.10 - 11:28 pm

There must be something in the Air

*sigh* Man.. this is probably going to be kind of a ramble..

“Courtnee Papastathis has performed as Zita the Aerialist since 2005. During
that time her focus has been to tell compelling stories through her aerial
performances. The act you just saw was an illustration of the struggle to
shed the defenses that bind us, finding strength in being vulnerable, and
how sex contributes to the art of self discovery. It’s also a really awesome
excuse to be naked.”

cornicello-100609-8403-nee I was uncharacteristically nervous and emotionally raw before my first act, even for me at my most nervous I tend to get at this point in my career. I just couldn’t shake it. Performing, much as the rest of my life, brings an ebb and flow to things. Some days I’m calm as a cucumber, quietly beckoning the universe to bring it on.

Others, I have insecurity and doubt to deal with, or I’m worried about my body being hurt, or I’m highly invested in the emotional weight of the work I am presenting and going out there feels heavy, sometimes even scary.

Last night I had all of those things. It was potentially the last aerial performance I will do, and surely the last one I will do for a while. That was hard and sad and exhilarating at times, and it made for some emotional components to be present that I hadn’t gone through in a while.

cornicello-100609-8412-nee I was also performing in an all aerial show, which can be harder on my self esteem and individualism than being the aerialist in a theater show. Even when I wasn’t looking, there were little things popping up, reminding me that I am just a drop of water in an endless sea. All the acts were very different, and all the acts were very good. We do what we do well and I am proud to be a part of such a high caliber production with such talented and creative people.

That said, some of these girls can do things I will never be able to do in less time than it took me to learn how to do a fucking hip lock – things I’ve wanted to do, tried to do and, depending on my perspective, failed at. In a way it can be hard to follow up someone who’s produced a rope act that embodied what I wanted to bring to rope the first 4 years of my aerial experience and never could.

cornicello-100609-8418-nee On the flip side, what I bring to my work is unique and powerful, and I know that. In accepting my bodies abilities and limits, I’ve created the space to expose myself in a way that audiences rarely get to see and I am amazing at doing it. Maybe I can’t do open legged drops without wrecking my hips, and maybe my toes won’t splay the right way so I can do a toe climb, but god dammit when I am out there I own the living shit out of it. I own the living shit out of you.

The fact that I can’t even come close to doing the splits, that I don’t have a gymnastics or dance background and that I was a professional drug abuser in my youth rather than an athlete inspires and comforts my beginning aerial students. I have a triumphant and inspiring story to tell. That’s why I like teaching beginners – I want them to know that you don’t have to be a superhuman contortionist to be an aerial performer, and I want them to know that a lot earlier than I did.

cornicello-100609-8437-nee Truly performing, for me, is taking people on a stirring emotional journey – along something that runs deep and strong in us as humans. Whether it’s my music, pretending to be a dancer or climbing things, that doesn’t change much. Sometimes I’ll put on a super cute outfit, hop up on a trapeze and practice while people are watching, and that’s really fun and fueling in its own right, but it’s not a true performance of mine. It’s not the meat and the heart of what I go out there for.

28610_397536341723_593881723_4342470_920333_n I brought that meat and heart and blood and guts and spit last night. People who had no idea of the health issues I am dealing with, or that I am potentially retiring from performing aerial, told me to keep doing what I’m doing with tears in their eyes. They told me it felt like an honor to be in the audience. They told me how inspired they were to create their own magic on a stage and share it. That’s the transformative power of the arts and it’s a beautiful thing that I feel grateful and privileged to have been able to cultivate for the last 5 years. Whatever comes after this, I’ll always carry that with me.

Stay tuned for more events. Maybe this is the time in my life where I learn to be graceful on the ground.

*sniffle*

(Thank you, John Cornicello, for the lovely images, and for allowing me to post produce them)

NOTICE: racy, lengthly, or outdated content ahead »

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Submitted by courtnee in public - 03.01.10 - 10:53 am

Vogue night: Sick and Twisted

I’ll be walking in up to 4 of my most creative, crowd pleasing outfits as a lifestyle model, and modeling Helene Hawthorne fashions. Lots of fun stuff from the designers being tried on when I left the fitting. Looks to be really cool.

Saturday, February 27, 2010 at 9:00pm
Club Vogue at Neigbours Underground
1509 Broadway (Broadway entrance)

Advanced discounted $13 tickets to the show can be purchased by emailing Roxy at: Vogue@clearwire.net

Tickets $15 at the door.

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Submitted by courtnee in public - 01.19.10 - 12:11 am

Bird of Paradise

Bird of Paradise

This is what I did this morning.

That hoop is really set on me, and that painting is real. We decided on the pose, which is free standing. Then Dmitry set the hoop, marked me with tape, painted and feathered only those spots on my body that showed inside the circle, then shot the pose complete with the colored areas. The white feathers are actually set in the shot too.

My hands were numb and my shoulder tweaked from holding that pose, which was originally with my legs even more arched down over my hands, on reflective plastic. Sooo worth it though.

This concept of feathers and paint was not my idea, however, perhaps strangely, it fit quite well into the events of my life of late. Photography by Epsilon Images.

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Submitted by courtnee in public - 12.26.09 - 7:52 pm

New Years Eve, Dec 31 2009

Photos of my New Years Eve performance at Little Red Studio by Chris Clark
NOTICE: racy, lengthly, or outdated content ahead »

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Submitted by courtnee in public - 12.01.09 - 1:07 am

zitatheaerialist.com

Time stands still when zita takes the stage. Performance Packages begin at just $150!

Zita the aerialist
From campy to class, center stage to ambient, and hot girl-on-girl action (for us grown ups), Zita has that certain something that will drop your jaw, spark your imagination, and open your soaring heart.
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Submitted by courtnee in public - 11.20.09 - 1:59 pm

The Gold Show, Dec 18

Zita Begins Who: Zita the Aerialist performs
What: The Gold show
When: Friday, Dec 18, 9pm

Where: Little Red studio, 400 Dexter Ave N
How Much: $25 in advance, $30 at the door

The underlying mission of The Little Red Studio is to celebrate the intersection between art and erotic energy in a relaxed and positive space. What makes The Little Red Studio work is that models, artists, and guests are in an unconventional environment with the utmost of mutual respect. 18+ (It ain’t a sex club people, but you may see a nipple or three.)

Our Gold Shows continue to delight and infuse our audiences with a sense of artistic indulgence and fun social interaction. If you haven’t been to one in awhile, you may want to come check it out again and experience the new things, while relaxing into the familiar. If you’ve never been to one – well now is the time to come see for yourself what Little Red Studio is truly all about.

The performances will amuse, mystify and perhaps even move you, while the opportunities to engage your senses will tickle your inner artist and open your heart.

Tickets can be purchased online at Brown Paper Tickets or in person at the Little Red Bistro during business hours.

http://www.littleredstudioseattle.com
http://www.brownpapertickets.com/event/51096

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Submitted by courtnee in public - 11.17.09 - 5:30 pm

“Cheese!”, Feb 6 2010

Now offering REDUCED PRICE tickets, for people who don’t want to multitask by eating food while they watch the show! $15, available on Brown Paper Tickets and at the door.

Who: Friends of Vita Arts, 21+
What: Fundraiser for http://vita-arts.org
When: Saturday, Feb 6 at 7pm!
Where: Youngstown Cultural Arts Center, 4408 Delridge Way SW

How Much: $30 with food, $15 without!

We’re working on getting circus insurance so we can teach aerial in our Workshops! Juggling, singing, aerials, clowning and other performances, all infused with the cheesiest of sentiments. Will it be silly? You bet your fluffy cotton socks it will be! I’m directing the show which is sure to be a night of fun and frivolity, with all the proceeds going to Vita Arts. Obsidian was my dark and dwelling masterpiece; this is just going to be a shitload of fun.

Two courses of Snacky-food will be provided, and a cash bar with beer and wine will be available. Don’t come starving your faces off, but be prepped to graze and drink responsibly. NOM!

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Submitted by courtnee in public - 11.03.09 - 11:41 pm

All by myself...

I gave notice to Qliance recently, after a few weeks of soul searching and objective weighing of the pros and cons of spending more time in a job that isn’t directed toward my long term goals. As a company Qliance has been very good to me, I have favorable associations and good memories. I will happily continue to recommend Qliance to my friends, family, or anyone else who will listen for that matter. I hope to cross paths with them again in the future.

I’m not planning to seek out another part time day-job. This means I’m on my own for now. If you’ve been thinking about getting massages, recommending me to a friend or commissioning art, I would really appreciate any support you can send my way. And if you’ve been worked on by me, every Yelp review counts.

I am also at the end of my tenure at The Pink Door, and am looking for another consistent performance gig. I really enjoyed performing in the restaurant, close with people and having the opportunity to interact and get to know my audience, so I’d love to find or create something similar. Suggestions and introductions appreciated.

Also – 30 is good.

Norda, 1.5. Nee, 30
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Submitted by courtnee in public - 10.29.09 - 11:32 pm

Awesome picture, laughed out loud..

Audience reaction

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Submitted by courtnee in public - 10.29.09 - 7:33 am

The Pink Door, Sun Nov 1

Last Chance! Sunday Nov 1 is the last evening I will be performing at Pink Door this year (as well as being the day before my 30th birthday)!

A recent review on Yelp commented “And then there’s the trapeze artist. I don’t know which was more impressive: her skillfulness, her costume, or just the fact that a restaurant would have such a thing with which to entertain the dining guests.  Very cool!”

l Who: Zita at The Pink Door
What: http://www.thepinkdoor.net/
When: Sunday Nov 1, 6-9pm
Where: 1919 Post Alley, Pike Place Market

Treat yourself to a lovely meal and come see me strut my tailfeathers in the dining room of the famous Pink Door restaurant in Seattle’s Pike Place Market. Reservations strongly recommended, ’cause this place is effin tasty, people.

This is a rare opportunity to see aerial performance in an intimate, close setting, simply for the cost of an amazing meal. Don’t miss out.

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Submitted by courtnee in public - 10.28.09 - 10:16 pm

Zita the Aerialist Promo

http://zitatheaerialist.com

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Submitted by courtnee in public - 10.25.09 - 10:57 am

Monster clothing in Ballard, Nov 14

1114090009

NOTICE: racy, lengthly, or outdated content ahead »

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Submitted by courtnee in public - 09.19.09 - 5:22 am

Just Art auction, Sept 25

White Zita on Trapeze

Who: Myself and Dyno performing aerial throughout the evening
What: Flying House Productions: Just Art auction
When: Friday, September 25 from 6:00 to 10:00pm
Where: Fremont Studios, 155 N. 35th Street in Seattle

Tickets $75, at http://flyinghouse.org/specialevents/justartticket.asp

Elegant glass sculptures. Vivid watercolors. Oil on canvas. Stunning photographs. Delicate iron and wood carvings.

Red Zita on Silks The silent and live auctions feature exquisite pieces by some of the Pacific Northwest’s premier talents, as well as pieces by gifted up-and-comers who have not shown in galleries or other usual venues. Proceeds benefit the Seattle Men’s Chorus and Seattle Women’s Chorus and the contributing artists receive 20 percent of the selling price of their work.

For more information on how to donate contact Murray McKay at murraym@flyinghouse.org or 206.388.1413.

The event will include one LIVE and two silent auctions, hosted cocktails, hors d’oeuvres, and entertainment by Seattle’s best Burlesque and Circus performers.

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Submitted by courtnee in public - 09.18.09 - 8:46 pm

Circus of Dreams, Sept 18th

white-zita

NOTICE: racy, lengthly, or outdated content ahead »

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Submitted by courtnee in public - 07.27.09 - 11:30 am

Zita the Aerialist at the Pink Door

Sundays in August, Mondays in September.

The Pink Door
1919 Post Ally
Seattle

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Submitted by courtnee in public - 07.19.09 - 12:48 pm

Vita Arts fundraiser, July 25th

“No matter how enlightened you are, as long as there are people suffering, you still have plenty of work to do.”

7-25-09-fundraiserWho: Levity, Chimera, Dyno, Zita, and more fabulous aerial talent!

What: The first fundraising event for Vita Arts, my new non-profit arts organization

Where: Versatile Arts, 7601 Greenwood Ave, Seattle

When: Saturday, July 25, 2009 8:00pm – 10:00pm

Why?

Seems to me, many people spend a long time building their lives into something they can be proud of,  something comfortable for them, in order to be safe to accomplish another something that’s bigger than themselves.

I have done my fair share of struggling, trying different configurations, playing small and dreaming big. Over the last few years, I’ve contemplated what the bigger thing might be, for me. Sure, I sometimes make people happy with my art. I make money helping other people do cool things, I volunteer, and my financial/geographical footprint is about 15% of what it used to be when I worked for Microsoft. I even turn the water off when I brush my teeth most of the time. But what can I REALLY do to make a difference in life?

When it came time for me to serve the world somehow, I found that I wanted to create a non-profit organization to help perpetuate the transformative capabilities inherent in expressing ones self, artistically. To make a space for people to experience the healing opportunities I have had through art in a more tactile, kinesthetic way than I have with my personal offerings of performances, music, paintings and that sort of thing.

I know art saves lives, because it saved mine. I’ve seen the results, and heard the stories of others, about the power of artistic expression to heal and transform. Whether it be from seeing it, appreciating it, facilitating it, being it, creating it, failing at it, living it – I maintain that art has the power to touch absolutely everyone.

I’ve also seen how sharing myself artistically often effects and inspires people to action. How the experience of art opens people up to expressing life, to telling their once-quiet stories through a medium, helping discover courages and strengths we so often convince ourselves we don’t, or can’t, have. How art helps people face their fears, release difficult emotions, grieve, find direction and purpose.

Perhaps most importantly, I have seen how, no matter how bleak and helpless a situation may seem, one small, brave action creates a chain of them. Every time.

It’s never too late to choose to make a difference.

Vita Arts is sharing the power of art with the disadvantaged and transforming lives.

Our performances offer the public a chance to see our skills, and to be moved by the human spirit.  Our shows  also serve to fund and publicize our outreach efforts, working with individuals in small workshops, giving them a chance to experience creating art for themselves, perhaps for the very first time.

We are starting local, with two public performances and a workshop being planned in 2009 alone. We look forward to expanding our efforts in the coming years by collaborating with other organizations (such as disaster relief orgs, loss support groups, and those helping reform the incarcerated) to offer transformative art experiences to the disadvantaged of all ages, around the world.

Come find out more about who we are, what we’re doing,  see a great show, and best of all, help make a difference.

Please note: If you are unable to attend this event and wish to support us, we are gratefully accepting donations. Provisional 501(c)(3) status is in the works, and will backdate once approved for tax deduction purposes. You may send donations to Vita Arts, PO box 20233, Seattle, WA 98102.

Thank you, so much, for your support.

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Submitted by courtnee in public - 07.15.09 - 3:18 pm

The Aquamarine show, July 18

Who: I will be playing an aerial siren as part of a beautiful love story
What: The aquamarine show at LRS
When: July 18, 9pm and Aug 15, 9pm
Where: Little Red Studio, 400 Dexter Ave N

Tickets can be purchased at Brown Paper Tickets or reserved

by calling (206) 328-4758

Join us as Little Red Studio explores the exotic underwater experience of The Aquamarine Show! This summer we will transform our sumptuous theater into a wet, sensual oasis, complete with mermaids, nymphs, sailors and pirates. Come dive into one of the most alluring elements on earth, Water. Lets splash around together in this world of sensory profusion, relaxation, healing, and spiritual reconnection.

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Submitted by courtnee in public - 05.28.09 - 10:28 am

Burien Strawberry Festival, June 21st

Who: The Cabiri will be setting up Daedalus, our freestanding aerial dance rig, for all-day performances!
What: Burien Strawberry Festival
When: June 21 11am-6pm
Where: 4th Ave SW & SW 146th St, Burien

Free!

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Submitted by courtnee in public - 05.28.09 - 10:14 am

Burning Beast, July 12 (Arlington)

3478_large.jpg Who: Myself, Dyno and Tamara are performing aerial

What: A an outdoor, fire-cooked feast of medieval proportions! Food comes off the fires around 6pm. Make a day of it – come early and stay late. Smoke Farm has 360 acres to wander and a river to dip in.

When: July 12, from 2 to midnightish!

Where: Smoke Farm: 12731 Smokes Road Arlington, WA 98223

Website: http://www.smokefarm.org

Burning Beast returns to Smoke Farm for its second, sure to be celebrated, culinary firestorm. The Stranger Slog called it “the worlds funnest and most delicious feast in a field cooked by Seattle’s best chefs.” Eleven star-studded cooking teams gather to prepare and master an assigned animal, vegetable and/or sea creature, whole or in parts, using fire, earth, steel and little else. The jaw-dropping list of participating chefs includes; Dylan Giordan (Serafina), Angie Roberts (Boka), Matt Dillon (Sitka and Spruce & The Corson Building), Garret Abel (DeLaurenti’s), Dustin Ronspies (Art of the Table), Gabriel Claycamp (The Swinery), Ron Jones (Jones Glassworks), Tyson Danilson (Le Pichet), Jonathan Sundstrom (Lark), Zephyr Paquette (Elliott Bay Cafe), Jennifer Alphonsine (Circa Alehouse), Seth Caswell (emmer & rye) – and more!

Entertainment included! Featuring aerial thrills provided by the amazing Zita, the incredible Dyno and Tamara the Trapeze Lady! Plus, music by ‘The Hallways’.

Atmosphere – outdoor casual. We encourage guests to THINK GREEN carpool, and bring along reusable plates, cups and cutlery (if you can). Plus – it’s a lovely place! Bring picnic blankets, swimsuits, comfy footwear, and healthy appetites. burningbeast@smokefarm.org for questions/info. See you there!

Tickets are $75, from http://www.brownpapertickets.com/event/68737

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Submitted by courtnee in public - 05.03.09 - 12:15 am

Daedalus Rising, photos

Daedalus Rising was super fun. The weather was perfect for us, our audience was gracious and totally into it, and Daedalus is one sexy bitch!

I ate fire, got spun on the rope, beat the crap out of the artistic director and got to crawl through the crowd hissing at people like an animal. What more could I ask for, dare I say? Actually, I suppose apathetic sound guy could have picked up a clue or two along the way, if I had a say in things…

Our blocking for the exceptionally complex piece I was in went straight through the window with no lyrics for us to que from due to tech difficulty. I felt awful for The Red King, who traveled all the way from Portland to perform his music and had no mic. Thankfully he has an extensive visual element to his performances! We were off kilter, but pulled it out like crazy and our audience of 2000 people, a new personal record (SEAF last year was 1500), was totally stoked.

I was unable to see most of the other pieces. What I was able to see of the performances were well done – I’m impressed with the ability of the performers and crew to maneuver an uncontrollable outdoor environment and the various unexpected difficulties that provides.

Plus a video from http://www.capitolhillseattle.com/2009/05/02/cal-anderson-aerial-show-pictures-movies !!!

Fun stuff. :) I have a great time performing in that piece.


Free to the public!

Who: The Cabiri
What: Aerial dance
When: May 1 2009.
Where: Cal Anderson Park
NOTICE: racy, lengthly, or outdated content ahead »

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Submitted by courtnee in public - 04.11.09 - 2:11 pm

Seattle Fashion Week is less than a week away!

I just got back from SFW rehearsal up on queen anne hill (which I biked up, rawr!). I’m getting excited! It’s going to be a hell of an affair. Tickets are just $15 at http://www.seattlefashionweek.net/ticket It’s a real steal, from what I have been seeing in rehearsals and how huge the event is.

I got some great feedback on my walk, which I was pleased to have considering I’ve walked on the runway maybe twice I think, and the last time was the Crave party (for the same people putting this on, picture below) like 4 years ago or something.
NOTICE: racy, lengthly, or outdated content ahead »

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Submitted by courtnee in public - 11.02.08 - 9:52 am

The Ghost Game wrap up

We wrapped The Ghost Game at Youngstown in West Seattle last night, striking the show as time crept into my birthday. It was a very fun show to work on and to witness, I started really getting into it on the third and last performance.

As I was leaving, word spread that I am a year older this day, and the cast sang me happy birthday. John caught the tail end of it on video – while putting scaffolding together!

I’ve improved greatly in acceptance :)

I came home, replied to some email and hit the sac. Now for a day of work and more set up/tear down for my Murder Mystery Birthday party tonight. Long, fun weekend!

zzz..

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Submitted by courtnee in public - 09.28.08 - 2:45 am

Zita the Aerialist: Guest solo artist for “The Ghost Game” Halloween night

It really just wouldn’t be Halloween without Zita, would it?

The Ghost Game: Tales of 13 Witches
October 31, 2008 8:00 PM and November 01, 2008 8:00 PM

Youngstown Cultural Arts Center
4408 Delridge Wy SW
Seattle, WA 98106

https://www.brownpapertickets.com/event/40931%2

The Cabiri are now in rehearsal for their Halloween presentation of The Ghost Game: Tales of 13 Witches. I’m working up some serious badassery for this one, and from what I’ve seen it promises to be an awesome event, and one of the very few performances I’ve done for an under-21 audience.

Performances are currently scheduled for October 31 and Nov 1, and there’s buzz about a possible matinée showing. Check out http://cabiri.org!

Read more about this intimate, interactive evening of dessert, cabaret, aerial dance, and more and purchase tickets at:

https://www.brownpapertickets.com/event/40931%22

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Submitted by courtnee in public - 08.17.08 - 11:06 am

Nailed

So many years ago it pains me to say, because it means just that much life has passed my way already, I was a guitar player. I came into the world of original music through synth, and my first instrument was piano taught by my mother as a child, but I started out expressing my personality on guitar.

It was a frustrating time. I could pick up other peoples songs in minutes, but my original works always found me with a scowl on my face and a knot in my gut and were quickly thrown away. I hated how shrill and girly I sounded, how sad and painfully child like my voice was. I wanted to be a rock star, with driving Marshall stacks behind me, screaming to the world the rage that I held in my guts day, after day, after day. But my voice was “angelic”, and well, I hated it.

I stuck mainly with covers in guitar work, though there was a guitar song on Altercations. My method of covering on synth is to deconstruct, essentially distill what I internalized from the music I honor in others, and for that part I really enjoyed covering songs on guitar. But the lack of originals caused excessive feelings of failure and hackery. I didn’t feel I was remotely a ‘musician’ until I started producing original work. And well, even then… even now, I have my doubts that I really consider myself that.

Then came the performances of that work. It pained me to be present when someone listened to my music. Though I pushed myself otherwise on rare occasion, I hid behind the protection of the Internet so I never had to see any ones reactions in the flesh to it. I knew it was haunting and striking and that it had a tendency to peel down into the center of peoples melancholy. I liked that, I like invoking depth in people in most everything I express in my life. But I couldn’t handle the praise, and I felt embarrassed to the point of physical discomfort when I heard my own voice. Slowly, starting with that first show for my friends and coworkers in my living room 6 years ago, I have worked toward overcoming my stage fright, my self deprecation, and learning to be comfortable with my unique powers as an artist and musician.

It has been an extremely painful, fulfilling, almost mystic practice in my life.

I’ve since learned why it was, that I struggled so much with owning my music to other people. It always conflicted me, to know that my music was good, that I had something special, but to assume that it had to be bad because sharing it caused me feel so awful. It was the child in me crying out. Unsupported, alone, afraid, unsure. She needed me, cried out for me, and I wasn’t really there. Listening to my own music was like being in a locked cell, listening to the frantic and desperate cries of the greatest love in your life as they’re tortured down the hall. I had abandoned her, just like long ago, when I had needed someone who wasn’t there for me. And when I showed myself like that to people, it was shame and regret I felt. I didn’t understand how to help her. I was hoping they could.

I understand now. And it shows.

Last night, I covered three of the most influential guitar songs of my youth with the grace, poise, and dignity. I faced my audience with appreciation, warmth, and a genuine truth and strength that I have never shown any audience, ever. I gazed around the room at people while I sang and strummed and bore my very soul, cradling her and holding her aloft proudly. She was no longer cold, shivering, hidden, alone, being displayed like a fearful caged animal, with my eyes squinted shut to drown out the magnitude of her cries. God, I wish I had pictures.

Symbolically to this, and not by accident, I was not alone, either. I had a special guest, a new and dear friend, an amazing guitarist and vocalist, Andrew Cardillo, with me – cradling me, holding me aloft proudly, supporting my vision for these songs and trusting me as an artist to do him proud in our first collaboration together. I’ve so often sought that, so often wanted a connection with another musician that I could hold, someone geographically close enough to perform with, someone trustworthy.

For now, I seem to have found that person, that spark to ignite this deep well of potential I’ve flirted with for years in my online collaborations. Someone with similar sensibility to explore new frontiers with, to exercise my musical limits with, to add dimension to what I’ve already been doing, to have fun with, to support in his endeavors as well.

Thank you so much. To my friends who have supported my music, to my fans who have brought me so much warmth and jaw-slacking praises over the years, even when I had no idea what to do with them but argue. To my audience who never fails to share with me the deep stirring movement I invoke in them when I perform. To my supporters at Little Red Studio for believing in my abilities, their unyielding support and guidance, to the wonderful artists of all vocations and styles who have welcomed me into their worlds over the years, to the people behind the scenes that make it all happen.

Thank you to the universe for its infinite possibility and clever, cunning manner in teaching and keeping me on my feet. To teh int0rnetz, to mp3.com, to all the other musicians out there who inspire and continue to inspire people like me to have tried my hand at being as brave as they are. To my Dad for buying me my first guitar, to my ex husband and lifetime confidant for his everpresent support. To Scott, Stu, and Dan, for their particularly focused efforts in helping me lay the groundwork all those years ago. To my Mother. I know you did your best.

To my lovers, and to my enemies, and especially my lovers turned enemies, for giving me so, so much to write about. To Jamie, my brooklyn born drummer and incredible friend. To Chrissy and her unending pool of tranquil, loving support, and her beautiful voice, for finally pouring past my barriers and giving me a cause to open my music to others. To Andrew, my Scorpio kindred with so much left to show me. To Kimba, for letting me straight into his beautiful heart. To Jeff – You are so very dear to me.

And to Clayton. Nothing I could say here would be sufficient. You know how I feel about you.

Thank you for all of it. And so much more. I hadn’t meant to make this a long stream of thank you’s – but, there you go. I know I’m missing people.

I accomplished a dream last night, one that had always felt just out of reach. I hold this in my hands now, in awe, and I’m moved to a silent flush of tears. It’s one of the the most beautiful things I’ve ever felt. Thank you for sharing it with me. I’m brimming. Magnetic. Glowing. Thank you Thank you Thank you. And thank fucking god for yoga! I am so pleased to have discovered it again.

There is so much more to say, but I will leave this now.

Take care of each other,
-nee

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