SOLD: Red Violin

SOLD!! Enjoy her, Tiffany and Ben! I’m wanting to let fans and friends know that I am ready to find the right person to pass my violin along to, before expanding into craigslist/music store territory. It is a full size, crafted in 1978, and I … ContinueSOLD: Red Violin

Posted on

SOLD: Eliza

5×5″ watercolor and ink, framed to 7×7″. $125

Posted on

SOLD: Beauty in the Breakdown

9×13″ Watercolor, Blood, Ink, Acrylic. Framed, Mahogany, 17×19.5″ This piece references the beautiful resin doll “Expecting” created by the amazing Christine Polis. http://christinepolis.com/site/?q=album/8-expecting

Posted on

SELF PHOTOGRAPHY: 2014

Psychogirl by Courtnee Fallon Rex (Courtnee Papastathis/Not Applicable) Print Available Photography Digital Artwork Music Violin painting by Courtnee Fallon Rex.

Posted on

Zita The Aerialist

Courtnee Fallon Rex as Zita the Aerialist from Paul Hawxhurst on Vimeo. Performed June 9, 2010 for “There must be something in the Air”, a benefit for Versatile Arts. Music from the Batman Begins soundtrack by Hans Zimmer and James Newton Howard. Video footage courtesy of Block My … ContinueZita The Aerialist

Posted on

SOLD: Oval Octopus

5″ x 7″ Oval : Acrylic and Ink on Canvas SOLD

Posted on

Birthrights (18+ only)

Birthrights is a photography installation project by Courtnee Papastathis which explores erotic female transition, and the uncomfortable collision of multiple factors (physical, emotional, social) that contribute to the profoundly transformative experience of birth and motherhood, particularly in America.

Women from different backgrounds and timelines are interviewed about their first pregnancy. From that interview, a short phrase to embody their first thoughts when they awoke after giving birth is chosen.

As well, we choose a part of their body to focus on for the image, either because that part was the one which has most changed physically/visually since pregnancy, or is the part in which their relationship has changed the most since the experience of giving birth.

The images are an intentional objectification of the mother. They are abstract, dark, desaturated, and subtlety highlight the bodies ‘flaws’, speaking both to the often hidden trauma and horror many women face in motherhood (which is not represented in typical peachy/soft pregnancy photography), as well as their erasure from part of a both conscious and subconscious value system of a society infected with a superficial and unattainable beauty standard. … ContinueBirthrights (18+ only)

Posted on