April 28, 2012, 8:03 pm in updates
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My experience with Breathing Color (http://www.breathingcolor.com/) has been exceptionally satisfactory. They shipped quickly, had great prices, and a tech followed up with me the day I was supposed to receive my stuff to give me his contact information in case I ran into problems, and make sure I had all the information I needed to use what I’d ordered. 5 stars on service, very interested in what the quality is like as I work with my materials over the next few weeks.

April 28, 2012, 7:28 pm in events

Spring showing: Red Chair Salon

For the months of May and June 2012, a selection of my paintings are being shown at the Red Chair Salon in the Capitol Hill neighborhood of Seattle.

324 15th Ave E
Ste 104
(between Thomas St & Harrison St)
Seattle, WA 98112
Neighborhood: Capitol Hill
(206) 922-2427

http://www.redchairrocks.com

April 20, 2012, 1:11 pm in public

Life in a Box - Update

Hello Life in a Box backers and enthusiasts,

I’m excited to let you know that I’ve just ordered the materials needed to do my own canvas printing and stretching for Life in a Box!

After comparing multiple price quotes for printing the project that literally wiped out the projects budget (the online promotional price I was originally quoted was no longer available once Kickstarters funding came through), I’ve decided to purchase stretcher bars and canvas directly, and to print and stretch the project myself at Metrix Create Space in Seattle, WA.

This is a really cool development for multiple reasons:

  1. Self-printing will ensure I have some money left over to create a hanging solution and to purchase the epoxy/acrylic mediums I want to use to finish the canvases.
  2. Self printing provides me the opportunity for a much more enriching experience in creating these pieces of artwork. I get to be part of the entire process and take advantage of the chance to learn a new set of marketable skills.
  3. Metrix is a small local Seattle business that I am pleased to support financially as well as become more familiar with for future projects.
  4. The in-progress pictures are sure to be a hell of a lot cooler now!

As of now, the estimated cost of printing the canvases has gone from $650 online ($5 more than Kickstarter net) to $393, while estimating 2 additional feet of canvas printing for testing and trial/error and 6 hours of time at Metrix working on the project.

Sounds pretty good to me.

April 19, 2012, 1:03 pm in public

Life in a Box - base images

These are versions of the base images I am printing to 8×8 stretched/framed canvases this week for my Life in a Box project. After doing so, I’ll be adding acrylics and epoxy to enhance the images with corresponding translucent colors and glitters/metallic flakes, and give them a thick, shiny finish with texture.

April 12, 2012, 2:36 pm in updates
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This whole “transcending my fear of showing people my art” thing is working out pretty great so far. If anything, the feedback I am getting is encouraging and giving me a lot of insight.

April 7, 2012, 1:41 pm in public

Om

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“Om”, Self photographed in 2006.

Original description, added to DeviantArt in a rare response to the comments the image received.

I’ve had a few people politely comment that they feel this piece is inappropriate, or would be inappropriate in some countries. I appreciate their viewpoints and respect that not all people will find my art appropriate, and suppose I should explain in greater detail since this piece seems to bring questions to light. Normally, I leave my pieces to evolve in the mind of the viewer with little direction. But I’ll make an exception.

Om, symbol of the absolute, the be all end all of everything, is a very philosophical and intense symbol which I have chosen with great care in this androgynous piece celebrating my body, mind and spirit. Thankfully I live in a country which will allow for me to express myself in this way, even if it is turning into a deranged festering shithole in others.

I used the Om because I felt it fitting placed on the breast and heart of a strong, other worldly woman with the balls to display what she is in addition to having the breasts to feed your sons and daughters. Breasts that are then forced to be covered and hidden away because of the fearful manipulation of the men who think they rule this world and attempt to dominate the women in it through oppression, abuse and fear. I feel it is a showcasing of the power and wonder that all women hold within themselves and so very often hide away, to the point that they in fact forget what awesome power they carry within them every moment of the day.

My deviation “Om” is my humble artistic stand against the oppression of all women in all countries and, I feel, a proper illustration of the be all end all of everything. She is ghostly to encompass all women, androgynous to encompass all sexuality, with dark, tortured, deep and thoughtful eyes. She is bound by the hand but not by the spirit, and she is growing more and more pissed at the treatment of women in this world, her rage building. You can see the oppressed womans great pain as well as her strength and her eventual wrath. She is silent, appearing almost at peace, but watching. Waiting. The sight of her brings fear to some. And it should.

I think it’s bullshit that the givers of life are raped, beaten, oppressed, discarded, mutilated, forced to cover their faces, sold into slavery, abused, ignored, and belittled because the sons they have brought to the world are afraid. “Om” is for every woman who has been beaten by her father, raped by a man because she was ‘so pretty’, passed up for a job because she has breasts, eaten last because it’s ‘her place’, been forced to fuck for money, had her clit cut off because her pleasure is sin, or otherwise been touched by the skewed reality of the days world views on female humanity. The only thing I wish I could have done differently was use a model who had obviously breast fed, but since I do self photography that was not possible.

The Om symbol has great meaning and depth both to myself as well as those whos culture it derives from. I do not feel that I should censor myself based upon the issues other people have with breasts, expression, a womans power or a womans form, and I find it rather ironic that the symbol for creation would be censored from the breast of a creator. But the world would be quite boring if we all thought the same way, now wouldn’t it.

In a nutshell, I chose to celebrate divinity rather than hide it under a fucking tarp when I created this piece. I hope that clears everything up. If it doesn’t, or you want to hear more, I invite you to check out my friend Ana’s journal entry, created a couple weeks after I did Om. Her clarity of thought is in large part responsible for my ability to explain the meaning of “Om” in this edit and, hopefully, answer your questions.

I don’t usually talk about my deep social and humanist ideals because it feels weird, and if it feels weird to talk about I generally express it artistically in some kind of interpretable way rather than trying to string words together to say what has already been said by someone else. I prefer to provoke free thought with my art rather than say what someone should think about it myself. I’ll be glad to go back to doing that, after this feeble attempt at verbally expressing what this piece means to me. Feel free to continue to allow it to mean whatever it means to you.

April 7, 2012, 12:24 pm in public

An introverted peace

For as long as I can remember, I have identified with with my thinking, and being thought of, as a naturally extroverted, gregarious, outgoing person.

It wasn’t a conscious choice, it just happened somehow that I caught onto the facts that a) I did well at creating myself as the center of attention and b) that people who are noticeable are the ones who receive the affirmation and encouragement I wanted.

Silence I remember a specific interaction I had as a very young person, as I began to withdraw in response to the pressures of significant dysfunction and tension in my home life. A no-doubt well-intentioned, somewhat concerned figure of authority and reverence to me, probably my Dad or one of my favorite teachers, took me aside and mentioned missing the bubbly me.

In that moment, I determined that the quiet, introspective me, wasn’t good enough. That being that person made the people I cared about hurt and worry, got me in trouble, and being available and seen was what was best for everyone. Through this and other observations, over time nurturing my fledgling ability to communicate my desires authentically and effectively was overlooked.

It is true: I have magnetic, charismatic social talents, and I do occasionally truly and fully enjoy going out into the world and sharing them. Coupled with my intuition and understanding of people, I’ve experienced amazing, even transformative social interactions that I highly value as part of the life I’ve lead, and I am certain I will again.

However, I have habitually, and with potentially misguided examination, met my more frequent tendencies toward solitude — though intense and from a deep place — with shame, and all too often with a vehement self inflicted emotional punishment.

time In my teens, my deep desire for a quiet safety and security was under constant, incessant attack. Though eventually recognizing the wisdom in doing so, I left high school an angry, guarded, self-perceived social failure, even though I passed the equivalency exam with ease at the age of 15, immediately and very successfully joining the work force.

Due to many factors I spent years in an agonizing isolated depression, in pain, online; a constant pressurized stream of my fears, my weaknesses, and my disappointments lurching passionately from my mind into IRC channels full of people ready to commiserate and affirm my negative beliefs, which were carefully constructed to appear as though I thought they were completely and utterly right. And I probably did.

It took me until 27 years into my life to be able to say, compassionately and authentically, that I didn’t enjoy loud live music, crowds, and bars so packed I’d find myself having to scream in order to be heard speaking. Due to other facets of my personality as well as prioritizing social interaction, it was scary and incredibly hard to ask for the closer one on one and small group connections my soul was really seeking.

Until my 30′s I met the physical disturbances in my body, and the numerous emotional hurdles present in most of my preparation for social events, with blame and negativity. For years, I’d get churning nervous shits while preparing to go out, holding onto the promise of inhibition annihilation by way of drugs and alcohol to power through it.

99820834_246b610e38_o.jpg I have often been assuming that those responses were just me being weak, and seen my anxiety an unnecessary obstacle, or worse, a fundamental psychological flaw. I have scorned myself for wanting to be alone, for wanting to hide, for wanting quiet around me, when I feel scared or threatened or off kilter or tired.

Self scorn, and more frequently now self-doubt, is still my first response toward wanting to be with myself, in many cases. It’s a long road back from it being nearly impossible to trust when I need to be alone, and when I am trying to withdraw to punish myself in silence. Over time, they had simply become the same thing.

As I’ve aged and learned more about how and why to be alone, I’ve started to embrace alone time, usually in the form of travel. For a long period of my young-adult life I forced myself to constantly value expressing connection over taking time for myself, in part for fearing that if I took that time my job/lover/friend/parent/insert-connection-of-value-here would be gone when I returned, and as such often undermined the limited time I had so boldly and bravely taken.

Boldly and bravely may even be an understatement. Even now that I am beginning to master recognizing my need for solitude in wilderness, and having felt the amazing freeing power in listening to that call, prioritizing it is still incredibly challenging. Over these last few months as I’ve been frantically struggling, I’ve known and even proclaimed to others repeatedly that I desperately need to get away for a while, even just a few days, and have yet to make it happen.

There are many, many pieces to this puzzle of worth, of connection, of belonging and feeling accepted, for every one. What this woman said helped me find another one of mine:

In health and otherwise, my introversion is where my revelations come from. It’s where the meaningful, impactful words I write, the ideas I share, and my awareness of the connection I feel with humanity comes from. It’s where my performances come form, it’s where the layers upon layers in my shows come from, it’s where the compulsion to create Vita Arts came from. It’s where my paintings, my music, and every self photograph I’ve used in this post comes from.

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My introversion is the birthplace of my extroversion. It’s how I communicate with my soul.

Hiding isn’t always a lie.

April 6, 2012, 11:45 am in public

The struggle for worthiness

My constant struggle to find and retain worth in myself is something I rarely truly embrace about what it’s like to be me. How childlike I am, how emotional I am, how deep and violent my internal conflicts are — Always expressed with a tinge or more of resistance, shame, disapproval, when I talk or think about them. There are so many aspects of myself I can’t actually run away from or ignore, as much as my instincts tell me I can. Which is where my talents have come in.

Soul-crushed and speechless over being rejected in a relationship? Music. Reconciled a portion of deep shameful hurt toward myself? Aerial. Spitting angry, spurned, and literally sick with grief? Obsidian. Don’t know what the fuck is going on yet? Paint.

They’re all abstract children of few words, they hint at what’s happening in me but don’t fully illuminate it. Through them, I hide from you in plain sight. Through them, I get to hide from myself. Through them, you see me as a truth teller while I see glimmers of truth on the surface of a giant, incredibly intricate lie.

I think I’ve begun scratching the surface of what I’ve been concealing. I don’t like it very much. It’s incredibly uncomfortable. But my relationship with myself is changing, deep plates are shifting whether I like it or not, and even if I could stop it, I’ve learned enough to know I don’t want to.

How the hell I’ll come through it, I honestly don’t know. What the goal is or what my life might look like in a year, I don’t know. What the fuck I’m doing or what’s happening to me or how I’m managing to function right now, I don’t know.

I don’t know. Perhaps it’s all his fault.

“Maybe stories are just data with a soul.” -Brené Brown

I shared this long enough ago that I really needed to see it again, therefore it’s being shared again too.

Her follow-up from this year that I just discovered is awesome, too, and reminds me of many, many things I’ve talked about here on neevita.

“You show me a woman who can sit with a man in real vulnerability and fear, and I’ll show you a woman who’s done incredible work” -Brené Brown

Hold me. I’m so exhausted.

April 5, 2012, 2:52 pm in public

Life in a Box is funded.

I am very pleased to announce that “Life in a Box” will become reality thanks to Kickstarter.

If the Kickstarter goal is further exceeded today, it will be applied to the project, either by printing larger canvases, more canvases, creating an artistic hanging solution for the canvases, adding a sound element to the installation, or so on.

My deepest gratitude goes to my Kickstarter backers: Pam Anderson, David Lydon, Gail Lydon, Colby Perry, Greg Rubin, Omri Alon, Michaela Eaves, Jon Nelson, Colleen Mathis, Scott Steffy, Robert Scott, Roseanne Edson, Ryan Lane, Daniele, Butangas, and The WILD SIDE Foundation.

Another exciting detail: The last backer which put me over the top was a stranger who found the project through the “Ending soon” tab on the discover section. http://www.kickstarter.com/discover/ending-soon?ref=sidebar

March 27, 2012, 2:23 pm in public
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http://www.sciencedump.com/content/painting-sound

March 24, 2012, 11:39 pm in public
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Video game collaboration idea: Mixed gameplay, dramatic plot-driven, 60 playable hours — varied and beautiful high production value, in chapters, with cinematics to continue the story. It would be difficult to die, however if you do, you will have to start the entire story over, even if you die at hour 56 of it.

150 dev teams from 150 game companies, 150 different storylines to play, at 60 hours each. When you die you either replay from the story beginning, or start another story and abandon your current one. You’d move on to a new story knowing that you will never know the ending to the one you died playing.

Title ideas: Abandoned. Afterlife. Abandon afterlife.

This could be how I finally enslave you all. I wish I had written it on a napkin.

March 23, 2012, 12:33 am in events

Life in a Box

Life in a Box; a mixed media project

I was riding the bus into work, bemoaning the abysmal weather and generally having a rough time of things, when I noticed how beautiful the water and condensation on the bus window was.

For the next 20 minutes, I took pictures of the window with varying scenes behind it, producing a collection of abstract images.

After further inspiration and plans for the works, I have created this kickstarter in the hopes of funding the printing of these images to 12 1.5″ deep, either 8×8″ or 10×10″ square canvases.

After printing, I plan to embellish them with acrylic paints and a thick epoxy finish to complete them.

The 12 pieces will be displayed as an installation.

This project needs your support in order to succeed. Please spread the word and consider donating to the kickstarter campaign.

http://www.kickstarter.com/projects/neevita/life-in-a-box

March 22, 2012, 11:18 pm in public

OH good..

Finally, something I think is almost worth a shit. Maybe I’m on my way out of this funk.

round-painting
March 22, 2012, 12:36 pm in public
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I want to burn it all to the ground and start over.

March 16, 2012, 9:55 am in quotes
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“I think everything in life is art. What you do, how you dress, the way you love someone, and how you talk. Your smile and your personality, what you believe in, and all your dreams. The way you drink your tea, how you decorate your home, or party; your grocery list, the food you make, how your writing looks, and the way you feel.

Life is art.”
- mz.

March 10, 2012, 1:02 am in public

Porcelain Poet

Some of these took a TON of post work. They’re definitely artwork that really became something different in my post processing and many of the images were transformed quite a lot. The images that I post processed have my neevita.net watermark, the images that Porcelain Poet worked on have her watermark. I love them!

It had been way too long since I’d collaborated like this, for sure.

March 7, 2012, 2:17 pm in public

Stay small

I remember some time a few years ago, I heard part of an interview with Coldplay in which one of the band members was asked if bad reviews and the vicious comments that are made about them hurt. He said yes, and I was both impressed with his vulnerable honesty and saddened in how much I related to where the guy was coming from.

I’m not sure who this kid is, but I was very touched by this video.

I’ve tried to google hate on myself during low points in my life. I think I might have even done it using AltaVista once. Honestly, if ever there was a time that the rare unsolicited comment was made about me online, it’s certainly long over. Which is just as well, being that I too am a person who has always wished to be the type who doesn’t care what people think of them, and who probably just isn’t.

Music I never did find what I was looking for when I’d search for “courtnee papastathis sucks” and various other versions of the same sentiment — and honestly, I’m glad. During depressions, I am bulldog enough about insisting I’m a total waste of mucous without the confirmation of random people who don’t actually know the first thing about me or the real reasons I might suck. Though I can scrap on EFnet with the best of them, the irrational wave of hatred that inevitably ends up directed at the people who ‘make it’ as a performer is, I’m certain, one of the founding reasons I struggle with the prospect of any reasonably inarguable amount of success.

I think about places to contact about showing my art and then never call them. I think about press package designs and never print them. I think about going to open mic’s and I don’t go. I rarely practice, and when I do it helps to have a drink or three in me. I don’t take classes. I walk away from disciplines for months, sometimes years, before picking them up again. I have to re-learn my own songs every time I perform.

I don’t want to even imagine how hard it could become to maneuver my emotional landscape — my stage fright, my writers blocks, my mediocrity — if more people with less investment were paying attention. I cringe at the thought of engaging in conversations with every person who leaves a comment on my Model Mayhem and Deviant Art accounts, let alone being under the scrutiny of a typical celebrity fan base.

I’ve improved greatly at recognizing when I’m in my own way, and pushing through when I feel down about my work: And still, I think I might die before I figure out how to truly stop hiding from it.

Isolation

I don’t want to be famous. I just want to be loved.

March 6, 2012, 8:32 pm in quotes
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“There are no starving artists. You’re starving because you’re bad at art.” -Tosh

February 27, 2012, 8:02 pm in updates
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*sigh*

Why do I bother. :(

January 16, 2012, 9:06 pm in updates
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Been nesting like a motherfucker today, and just realized haven’t eaten or drank anything since breakfast. Oops. At least I went through everything in the garage and got a good start on setting up a little art-making space in the spare room!